Start a projectStart a project
Services · Mixing & mastering
Mixes with depth and masters that translate - from club system to phone speaker - finished with a composer’s ears.
Every score on this site was mixed & mastered here - judge the room by its sound
What you get
The music you made is the music people hear
Mixing makes your instruments sound good together - balance, space, and depth carved for every element. Mastering makes the song sound good everywhere - tonally corrected, competitively loud without being crushed, and delivered in every format your release needs. I do both with a composer’s ears: every score that leaves this studio is mixed and mastered in-house, and the same one-roof standard applies to artist releases - continuity of intent from the first decision to the final file, with the mastering pass done days later on fresh ears and different monitors. And the delivery goes as far as you need it to: a streaming master, a record polished from an AI-generated sketch, or the music mixed straight into your video - finished for the platform it will actually live on.
Hear the room
One of the masters, as delivered
What you can send
From a single to a whole record
Mix, master, or both - with the loudness and tonal balance tuned for streaming instead of the loudness war.
Mixed and mastered as a body of work: sequenced, level-matched, and spaced so the record plays like one statement.
Music mixes for picture - dialogue-safe balances, stems for the dub, and masters that hold up in a cinema.
Generated a track with AI and love the idea, but not the sound? I take the render or stems and rebuild it into a polished, professional record - human ears on machine output, cleaned, balanced, and mastered like anything else that leaves this studio.
Not just a WAV. Your music mixed to picture and delivered inside the video file - loudness-specced for advertising, film, and social platforms, laid against your edit, ready to publish. A complete product, not a file you still have to deal with.
Instrumentals, clean versions, and labeled stems - everything a distributor, supervisor, or editor will ever ask you for.
How it works
Your labelled tracks for mixing, or your finished stereo mix for mastering (leave a little headroom and no limiter on the master - I’ll guide you if you’re not sure) - plus two or three reference tracks and where the release is headed.
Mix with a structured revision round; master checked on multiple systems at honest volumes, tuned for streaming normalization instead of the loudness war.
Distribution-ready WAV masters and streaming formats - plus instrumentals, clean versions, and stems where your release or sync ambitions need them.
The standard it’s finished to
Loudness, translation, and dynamics - handled
Not just “loud.” Each master is set to the right level for where it will play - kept quiet and dynamic for an intimate orchestral cue, pushed loud and punchy for a trailer - and delivered as separate streaming, cinema, and social versions, each to its platform’s standard, when your release needs them.
Checked in a treated room against professional references, then from a cinema system down to a phone speaker and earbuds - so it holds up everywhere your audience actually listens, not just on studio speakers.
Mastered with a composer’s ears, not a loudness-war mindset. The swells and silences that make a score breathe are preserved, never crushed flat for a number on a meter.
Balanced to leave room for voice and sound design in the edit, and delivered as cleanly grouped, clearly labelled stems, so your editor or dubbing team can rebalance the music under dialogue without coming back to me.
Questions
For mixing: labeled multitracks exported from zero at the session’s native sample rate. For mastering: your stereo mix with no limiter on the mix bus and 3-6 dB of headroom. Always include reference tracks - they communicate more than adjectives.
A well-prepared single typically mixes in one to three days and masters in a day, including a revision round. EPs and albums scale with track count plus sequencing of the whole release.
Distribution-ready WAV masters, streaming formats, and - where needed - instrumentals, clean versions, and stems for sync pitching.
Yes. Bring the render or stems and it gets the same treatment as any record: cleaned, balanced, and mastered by human ears. One honest note - purely AI-generated work currently can’t be copyrighted, so if the track needs to function as an owned brand asset, it can also be rebuilt into something exclusively yours.
Go deeper
Send the track and the destination. You’ll get a reply within two working days.